I am the Jammer

28 Oct Jammer LeAria

Since my wife got injured last week, a lot of friends and family have been asking why we still play roller derby and still allow our daughters to do so.  This essay, written by my 14-year-old daughter the day after my wife got injured says it all.

I am the Jammer,

by LeAria West

I love roller derby and everything about it. I love the pressure of fans, coaches, teammates, and the idea that the entire other team is trying to stop ME. They want to stop me because I am strong, I am fast, and I score the points. I am the jammer. To me, derby is a lot like racing another girl, while four mean, fast-moving girls, try to knock me down. Oh yeah… and everyone’s on roller-skates.

I roll to the jammer line with butterflies in my stomach and shaking in my knees. The other jammer and I crouch on the line, exchanging nervous looks. One whistle sounds, loud and high-pitched, and the eight skaters in front of me start rolling. The four blockers on my team look back at me with thumbs up. Two rapid whistles, and I take off. One, two, three, steps on my toe stops gives me the speed of a freshly shot bullet. I dodge, weave, and smash my way through the pack, and get past before the other jammer, making me the lead jammer. The jam is mine to stop at any time, but i still haven’t scored any points. My legs already ache and burn, but I need to go around the track until I catch up to the back of the pack again. This time, every girl on the opposing team I pass is worth a point for my team. Yet, the other team has a jammer as well, and she has the same objective.

My biggest fear is on the jammer line next to me, not the other jammer, but the possibility of failure. The nervous looks my teammates and coaches give me, and the people in the bleachers all sitting on the edges of their seats in anticipation, that only makes me try harder. Derby has helped me deal with pressure, and even like it in some cases. I used to break under pressure, but now I just grow stronger.

It might seem weird that I like the other team’s focus on trying to stop me, but I’m a weird kid. When I hear the coach or frustrated opposing blockers yell “STOP HER”, and I know it’s about me, it means they see me as a threat. The other team, though they may be my friends off the track, are my enemies while on the track, and they know it as well.

Through all of my life I have tried to find one thing I’m good at, and work my hardest at being the best I can possibly be. This includes maintaining mental, physical and emotional strength. Jamming is so much more fun when you help your team win. Even when I don’t win I always try my hardest and make sure to have a lot of fun.

Done Got Religion

24 Aug

I am happier right now, at this stage in my life, than I’ve ever been.  I don’t have a lot of money, or possessions, or friends.  My body is getting old and it hurts to sleep more than 5 hours a night, but I’ve never felt so at peace with myself.  I’ve never been so in love with the world.  I guess you could say I found religion, or that religion found me.  I’m going to try to explain this phenomenon, but in order to do so, I need to go way back into my past and talk about The Dojo.

I spent much of my childhood and adolescence living in a Jujitsu school and religious commune currently named Bushidokan Martial Arts School.   That wasn’t always its name, however, and I always just think of it as: The Dojo.  The Dojo was a strange and magical place to be a kid, and not just due to the amazing physical feats and spiritual teachings in the classes. The land and buildings and objects there all had — and I assume still have — a strangely mystical significance.

I say, “strangely” mystical, because The Dojo isn’t what most people would picture when they think of a religious commune and martial arts school.  Well, some of it is exactly what you’d expect: sliding doors, tatami and rice paper walls, and a statue of Buddha in the rock garden.  The rest of the property, however, is an organic evolution of architecture and humanity that leaves the non-school part of the grounds looking like a cluttered Escher painting.

Over the years, students have built dozens of oddly shaped rooms in every conceivable free space in The Dojo and the three surrounding properties.  They’ve built rooms with trapdoor and ladder access, low, slanted ceilings, and bed shelfs in the attics.  They’ve built rooms in the basement of the main house, including an odd little hidey-hole bedroom with a door that had been jackhammered through the foundation itself.  They’ve refurbished the busses on the property as homes and connected them to the other buildings with porches and awnings.  Even though the entire property is just three houses and a duplex, newcomers commonly get lost.

The students who came to live at The Dojo, also built storage areas anyplace too small to put a bed, such as under the stairs, or beneath the porches.  In the halls of the main house, they built big benches with hinged lid/seats and packed them full of whatever belongings they thought would be useful during their time living at The Dojo.  Often, when they moved out, they left those things behind, and I would investigate them like an archeologist puzzling over artifacts of a lost race.  The best thing I ever found was a cardboard box of books stuffed between ceiling joists in the back of the attic, where there were no floorboards and nothing between me and the (probably poisonous) insulation.  I don’t remember everything in the box, but I remember The Anarchists Cookbook; The Confessions of Aleister Crowley; Supernature, by Lyall Watson; and a book called Ninja Mind Control Techniques.  I read them all like they were sacred tomes passed down by some long-gone, freaky master of the bizarre.

But I’ve only described all this about The Dojo, so that you’ll understand the Secret House dream.  See, I’ve lived at The Dojo four different times throughout my life, and all four times I’ve had a very specific, reoccurring dream.  In the Secret House dream, I find some hidden spot in The Dojo that I’d not previously known about, like a stair that lifted to reveal a door, or a cubby-hole hidden behind a flap of carpet.  Of course, I would explore this new feature, only to discover that it led to another secret room, and then to another, and on and on and on.

Even as an adult, the dream was often so vivid that I would walk around all day, convinced that a larger even more magical version of The Dojo lay just around the next corner, if I only knew how to look for it.   And it was always a matter of how to look rather than where.

But I’ve really only explained the Secret House dream so that you’ll understand how I feel about the skateparks.  They are my new Secret Houses.

The first time I ever went to a skatepark, I was a pretty good jam skater.  I could 360 jump and handspring and do the splits.  It is safe to say that I was very comfortable in skates.  And then I rolled onto my first non-flat surface and discovered that I knew literally nothing about skating a park.  I fell up and down the slopes, threw myself at the walls, clawed at the coping, and tore the shoulder muscles in my right arm.  I discovered nothing that first day, because I related to the park as if it were a dead concrete bowl.  I tried to do what I wanted to do, regardless of the terrain.

Then Speed Dealer Jeff taught me about trannies, those magical transitional places where flat ground becomes something other than flat ground.  “Crouch down and push in the transitions,” was all he said.  “That’s how you get speed in a park.”

I did as he said, and suddenly, skateparks were no longer lifeless concrete.  Here are some of the secrets I’ve discovered hidden in the geometry of a skatepark.

1. Transitions.  Pump them and they make you go.

2. Those little lumps in the middle of the skatepark are called “power dots,” and they are actually not jumps, (though you can use them as such).  They are just transitions added to the flat ground so that skaters can pick up speed for the real jumps without pushing.

3. Any curved corner you hit while carving along a wall is actually another transition, so pump it, and you will get additional speed to send you even further up the wall.

4. Jump about midway up the transition, lift your legs high, aim the center of your skates at the coping, and you will land on it like a bird perching on a branch.  This is called a stall.

5. When stalling, it is important to remember that you are not, in fact, a bird perching on a branch, and if you don’t get off quick, you are going to fall.

6. Falling on metal is actually pretty pleasant compared to falling on concrete, but they both suck.

7. If you carve all the way to the top of a bowl, you will hit the coping, and if you have the right kind of skates, you can grind along that coping.

There are countless secrets I have not yet learned.  Every time I look at a park, I know I’m only seeing the surface, and I know there are secrets there, like in the Secret House dream, waiting for me to find them.  Those secrets can give me super powers, but they can also break my arm or kill me, because those secrets are little nuggets of truth, and truth is powerful.  The parks teach me physical and spiritual, kinetic and dynamic truths about the nature of the universe.

And seeking those truths has made me happier and more at peace than I’ve ever been in my life, and not just in the skatepark.  When I skate, I feel connected to myself and my fellow skaters and everyone else in the world.  Through my wheels, I feel connected to the skatepark, and the Earth, and the whole rest of the universe.  Skating is life, and the universe is a skatepark.

Kevin Yee, an inline skater, said: “To truly know one thing in its entirety, is to know all things through the lens of that one.  For me, this one thing is skating.  The greatest benefit from years of dedicating all of my thought and actions to skating, is the ability to use skating as a metaphor in approaching and understanding life.”

And there it is: my one thing.  I’ve been looking for it a long time, even when I didn’t know I was looking.  My life, from my first breath until I pumped that first transition, never made any sense.  Now it does.  So don’t be surprised to find me kneeling and bowing in front of a ramp, blessing a coping, or closing my eyes in a prayer of thanks at the bottom of a bowl.

Skating might not be God.  But it helps me find the secret spots that lead to where God lives.

 

Learning to Fly

19 Jul

If you are going to RollerCon this year, you’ve probably already made plans to do some wild and amazing things.  You might marry your derby wife, or go to the Black and Blue Ball, or maybe you’re just looking to scrimmage with some people you’ve never scrimmaged with before.  One way or another, you want to come home tired, sore, hung over, and with a few “what happens in Vegas, stays in Vegas” stories.

So why not do something really memorable?  Why not stand on the edge of an empty pool, hold one foot out over the drop, and lean forward until you fall?  Why not learn to ride your skates on walls?  Why not learn to fly?  And if you need a hand learning those things, just ask Jay Cloetens to help you out.

Jay Cloetens is the man responsible for organizing and running the RollerCon Skatepark Tour for the past five years.  The RollerCon Skatepark Tour is something like a flashmob of vertical quad skaters and people who want to learn vertical quad skating, all showing up to shred select skateparks during the evenings of RollerCon.  In years past, there have been as many as 75 quad skaters in a park at the same time, and as many as 300 skaters over the course of the entire tour.  As far as I know, that makes it the largest gathering of its kind in the world.

Jay doesn’t get paid for organizing the tour.  He does it because he loves skating, and loves introducing skaters to the world of riding vertical surfaces.  I asked Jay some questions about himself, the state of vertical quad skating as a sport, and the RollerCon Skatepark Tour, and this is what I learned.

Jay first put on skates 38 years ago, when he was four years old.  His father was a roller hockey player, but he also had another hobby that had an even bigger impact on Jay: vertical roller skating.  “My dad was a vertical roller skater back in the 70′s, so the seed was in my head from an early age that skating in pools and ramps was something fun to do… though I didn’t do it myself until I was 26.”

That was when a skateboarding friend asked him to help build a 6-foot mini-ramp in his back yard.  As soon as the ramp was finished, skaters from around the neighborhood began showing up and skating on the ramp Jay and his friend had built, and for the most part, Jay just watched.  But that all changed when a group of rollerbladers showed up to skate the ramp.

“I thought my old speed skates (buried in my closet unseen for years) were much cooler than blades, and I didn’t keep it to myself.”

Eventually, the inline skaters pooled their money and bet Jay $60 that he wouldn’t drop into the mini-ramp on rollerskates.  Jay got his skates from home, climbed to the top of the ramp, and put them on without practicing.  He had no helmet or protective gear of any kind, hadn’t ridden his skates in years, and had never tried to ride vert.  He did, however, remember watching his father drop in, and that’s exactly what Jay did as soon as his skates were laced.

To everyone’s astonishment, Jay dropped in, raced across the ramp, shot up the other side, and landed on the far deck, all without falling.

“Where’s my money?” he demanded before he would drop in again.

In the last sixteen years, Jay has made up for not hurting himself that first time.   To date he has broken his collarbone, his shin, his ankle, his tailbone, and both wrists, as well as given himself more than a few concussions, sprains, strains, abrasions, and bruises.

“I once put my upper left front incisor through my lip.”

Despite all this, he insists that learning to skate vertical surfaces the right way — as opposed to dropping in with no protection, practice, or previous experience just because some guys in inline skates bet you $60 — is actually less dangerous than learning roller derby.

“Obviously, vert skating carries inherent risks, but no one is trying to knock you down in vert skating,” he says.  “When done properly, no one gets hurt [or] even falls in vert skating.”

So, contrary to what the official RollerCon programming might say, The RollerCon Skatepark Tour is for the brave and curious newcomer as well as the advanced vert skater.  If you have never skated vertical surfaces before, and you would like to try, just email Jay and tell him you would like some help with the basics during the skatepark tour.  He will make sure someone with knowledge of the proper skate technique teaches you how to fall properly.

“I’m proudest of fact that, after 20 parks and 4 years, we have had zero serious injuries. … I try to coach newbies how to fall first thing and then [drill the procedure until they have it.]   Once you know how to fall properly the odds of getting hurt are actually pretty slim. Gotta love protective skate pads!”

Still, to the outsider, vert skating can seem incredibly dangerous, which is why the RollerCon Skatepark Tour is not an officially sanctioned event of RollerCon.  Apparently, the USARS insurance drones get nervous when they see roller skaters doing handstands on the edge of fifteen-foot pools.  Even if everyone is wearing protective gear.

And speaking of gear …  What will you need if you intend to spend one or more nights learning vertical skating?  If you are in derby, you probably already have everything you need.  You’re pads, helmet, and mouthpiece will all work with no modification.  Vertical skating does not require special skates, but there are some tricks that only custom built vert skates can do, such as grinding rails/lips.  If that kind of thing is important to you, you will need to build yourself a set of aggressive/vert quad skates.  Here’s a pic and some specs on Jay’s skates:

As you can see from the picture, the Carrera boot is about the only part of a vert skate that resembles traditional roller skates.  Otherwise, vert skates are roller skate-skateboard hybrids, with skateboard trucks and wheels mounted to a roller skate speed plate capable of accepting skateboard truck hangers and toestops.  If you don’t want to spend all that time and effort building your own skates, I have added a link to Rollergirl’s aggressive quad skates at the end of this article, but be prepared to drop $500.

I asked Jay why he goes to all the effort of making rollerskates that work for vert when he could just go out and buy a pair of inlines or a skateboard.  “I choose to roll skates in the park because I love my skates.  Also, for years, I didn’t know any other active park rollerskaters.  Until about 6 years ago I thought I was alone, and I enjoy walking my own path.”

That same spirit of individuality is what brought Jay to vert skating in the first place.  “What I like the most about vert skating is that there is no wrong way to do it.  You compete against yourself.  I’ve seen really good skaters cheering and encouraging [newbies] who have almost zero skills, because they see [the newbie] challenging themselves.  That’s what vert skating is to me.  Nobody can make you go out and practice.  Nobody can make you drop-in that first time.  And nobody can make you get up after that first bad slam.”

But the goal this year is hundreds of skaters, thousands of smiles, and zero bad slams.  There are four wonderful parks on the docket for this year’s RollerCon Skatepark Tour, and every one of them has something unique to offer.

***

Thursday 8PM – 10PM, Freedom Skatepark $0.

This outdoor park had its grand opening just a year and a half ago, when the pool and street/tech areas were added to the above ground ramps.  This looks like a good park for beginners, and with the addition of the pools, more advanced skaters can enjoy it too.

***

Friday 7PM – 10PM, Break-n-Bread Skatepark, $15.

This is an indoor skatepark with beautiful wooden ramps that should work for all levels of vert skaters.  (I’ve become something of a falling connoisseur over the past couple months and you can trust me when I tell you that falling on wood ramps is soooooo much nicer than falling on concrete.)  Also, getting to safely try crazy back flips into the only foam pit in Las Vegas is worth the admittedly steep entry fee.

***

Saturday 8PM – 10PM, Hollywood Skatepark, $3.

It is worth the $3 admission price just to see some of the incredible structures they’ve built here at the Hollywood Skatepark.  Chief amongst these is the artistically railed and staired 18-foot full pipe, (the only one in Vegas).  The park also sports an 11-foot-deep kidney bowl, a full plaza with a railed 10-stair gap, fun boxes, ledges, benches, smaller stair sets, and — perhaps most importantly — drinking fountains.

***

Sunday 8PM – 10PM, Anthem Hill Skatepark.

There are too many features to describe in this awesome concrete flow park, but rest assured that you will be provided the opportunity to roll on every shape and size of vert imaginable.  Anthem is Jay’s favorite park, because, “it has something for skaters of every skill level.  In fact, I took a ski-buddy of mine there last night and, in a very short time, had him rollin’ on quads in the park for the first time ever.”  If you go watch some of Jay’s skate videos, you will probably see him skating in Anthem Skatepark.

***

So there it is: The 2011 RollerCon Skatepark Tour.  Four nights, four parks, and endless opportunities to push your own limits and to test your stability, agility, and guts.  RollerCon only comes around once a year.  You might as well do something big while you’re there.  I suggest learning how to fly.

For those of you who would like to learn more about vert skating and the people who do it, here is Jay’s list of the top five vert skaters and some links to the things they do.

Jay’s Top 5 Vertical Rollerskaters  (names with an * are attending the 2011 tour)

1: Duke Rennie *  http://youtu.be/saNFayVrBls

2: Brian Wainwright * http://youtu.be/UaRfzEEDix8

3: Fred Blood * http://youtu.be/43ssKefA56A

4: Irene Ching  http://youtu.be/nI32YhMbtd8

5: Rollerball (from Australia) http://youtu.be/8SSuHaM9Qhs

Jay’s videos, including tutorials for skatepark skating:  http://www.convo.io/rollerskate

This is a link to The 2010 RollerCon Skatepark Tour, with pics and vids.   http://youtu.be/njP095C9g1U

The official RollerCon page about the Skatepark tour.  http://www.rollercon.net/events/skatepark-tour/

Buy your own, pre-built, vert skates.  http://www.rollergirl.ca/skateshop/drop-p-287.html

Vertical Update

11 Jul

Until recently, I thought certain levels of joy were only accessible to little kids and hormone-flooded teenagers.  I figured everything I did as an adult would be experienced through the age filter of an aching body and a jaded mind.  But then I stood on the edge of an 7.5-foot bowl, held one skate out over the drop, and leaned forward.  I fell three feet before my skates even touched the wall.  The transition on the way down nearly buckled my knees, but I stayed upright, raced across the bottom of the bowl, and hit the transition on the other side.  I pushed into it like Speed Dealer taught me.  Suddenly my whole body shot 8 feet into the air, and I found myself flying out the other side of the pool with my legs churning empty air like Wile E Coyote.

“Holy crap,” I heard one of the BMX riders around the bowl say.  “That guy’s not even wearing inlines, man.  He’s on old school, disco-style skates.”

“That’s fuckin intense,” said another.

Yes.  Yes it was.

Now I think about vert pretty much all day, every day.  If you talk to me, and my eyes are a little glazed, and you think I might not be listening . . . you’re probably right.  But it’s really not my fault, because inside my head, I’m shooting a six-foot, outside corner, transition jump, and nothing you are likely to say can compare to that.  Sorry, but it’s true, and if you don’t believe me, come learn that jump.

Let’s start at the beginning.

Day one: Meadowview (Bethel) Skatepark.

As soon as I saw the park, I realized I’d made a mistake in choosing to come here first.  I had never been on an incline greater than ten-degrees while wearing skates, and Meadowview is for intermediate to advanced vert skaters.  Most of the park is drop-in rather than roll-in, and the average drop-in height is about 5 feet, so I spent the first five or ten minutes just rolling around the bottom of the park and flirting with the inclines.  I eventually worked up the nerve to try one of the few roll-ins and immediately fell, hard.  I heard/felt something in my shoulder rip, and I sprained my wrist, despite wearing wrist guards.  Two months later, both these injuries still hurt.

Day Two Through Week Five: The US Sportsplex.

As you can see from the picture, the US SportsPlex is a much better park for beginners.  Even though the whole park is drop-in rather than roll-in, the smaller ramps are not true vert, and are therefore good for beginners.  Just to the right of this picture, there is a foam pit for practicing crazy back flips and stuff, and just to the left of this picture, there is a tiny little 2-foot “vert” ramp.  They also have a half pipe here, but it is pretty narrow, and should probably be avoided by all but advanced skaters.  Also, believe it or not, falling on metal ramps is WAY less painful than falling on concrete.

Anyway, my family and I purchased a one-month membership to the SportsPlex for $65.  This is really a pretty awesome deal, because it includes access to the swimming pool, hot tub, sauna, showers, weight room, and lounge.  The park is open from 6AM till 9PM, and usually there are very few, if any, people there.  We liked it because it was close, we could skate even on rainy days, and because the whole family could shower right afterwards without trashing our own bathroom, running out of hot water, or fighting over who showers first.

About two weeks into the SportsPlex membership, Speed Dealer Jeff came to skate with me.  He taught me about stalling on the coping, and I spent the next two weeks learning different stalls.  I fell a lot.  I re-injured my shoulder and wrist twice as well as hurt my hip, but I was already getting addicted.  Why else would I keep showing up to hurt myself?

Week Six Till Now: Outside.  “Spring came to the Pacific Northwest like a bridesmaid climbing a greased pole.”  –Tom Robbins, Skinny Legs and All

As soon as spring finally got its shit together this year, I started skating outside.  My family and I found little spots along the bike trail where we could jump stairgaps or practice wall rides, but we didn’t actually go to another skatepark until Speed Dealer Jeff invited us to meet him at Cal Young.  Even thought the concrete was a bit hard to get used to, that skate session taught me more than any other skate session, because that was when Jeff taught me about “pumping the transition.”

Pumping the tranny, as I like to call it, is basically just bending your knees and crouching slightly forward as you go into a jump, and then pushing with your legs while you are in the transition from flat to vertical.  This gives you a huge burst of speed and/or height, depending on when and how you push the transition.  It was a minor epiphany, and in one practice I went from being a jam skater trying to do vert, to being a vert skater who knows how to jam.

Thanks, Jeff.

I feel like Cal Young is probably the best free outdoor park for beginners.  The jumps are not too large and are spaced out enough that there aren’t any real surprises here.  I highly recommend it if you are just learning.

Shortly after skating with Jeff, I noticed a facebook picture of one of my wife’s derby buddies busting some crazy-high jump with a leg grab.  I sent her a friends request and asked if she still did vert.  As it turns out, Roller Toaster loves skating vert, and she knew about some parks that I had never heard of, including one in Veneta.  We talked a little and set up some time to meet and sesh together at Emerald Skatepark, which is one of her favorite places to skate.

Emerald has a lot to recommend it, but I think the thing I like most about the park is the shade.  Concrete bowls under blazing summer suns are the skatepark equivalents of easy bake ovens, so it’s nice to find a park with a little protection from the rays.  The half-bowl is between 5 and 6 feet deep, and the vert on the far side is less than 3 feet, so there are lots of good places to learn for the beginner.  I’ve only gone here three times, and I’ve never found it empty, including during a 6AM session when the sun was just barely in the sky.

Anyway, whereas Jeff skates with an aggressive and explosive style employing lots of high jumps and spins, Roller Toaster skates more like a surfer on a wave.  She’s the first person I ever saw do an outside-corner transition jump.  She also uses her toe-stops in ways I’ve never seen anyone use them.  For instance, she’ll roll three-quarters of the way up the face of a jump, then pop her toe stops into the wall to make the last quarter of the jump.  The motion kinda reminds me of a mountain goat scaling a cliff, but in a really good way.  Once again, I had a minor epiphany about how there are so many different styles of skating, and I vowed to learn to use toe-stops.

Of course, the next place Toaster wanted to go was back to Meadowveiw, where I’d originally hurt myself.  This time, however, the park was much more fun, and we (Toaster, my children, and I) jumped and rolled and flew around the whole place like a bunch of winged mountain goats on skates.  Try picturing that.

As of this writing, I’ve only been to one other skatepark: Veneta.  Out in the middle of BFE nowhere, they have this really cool skatepark with a squared out bowl more than 7 feet deep.  This is the park I described in the intro to this blog post, where I learned that being old doesn’t mean being dead to pure, uncut joy.  You can’t see all the way down the bowl in this pic, but you can see that first three feet of vert, and really, once you get past that, you’re committed to the drop.

So here I am, addicted and loving it.  I go to sleep thinking vert.  I dream it while I sleep.  It is the first thing in my head when I wake up in the morning.  I want to make myself a pair of aggressive quads.  I want to get a pair of vert inlines.  Hell, I might even try a skateboard.

But something else is on the horizon now.  Men’s roller derby.

I went to my first practice last week.  The pace line and warm-up exercises were pure hell, and I have a hard time believing people (including my wife) actually do this to themselves voluntarily.  After the hellish warmups, we did some drills, and I got to try blocking for a bit.  Not only did I skate in the pack without falling, I ran a couple guys off the track, knocked one guy down, and someone on my team (I think Earl) grabbed me by the hips and used me as a battering ram to get through the pack.

And you know what?  The whole time we were doing drills, I forgot how much my body hurt, and I stopped feeling like I was going to puke.  For now, derby is just what I am doing to stay in shape and meet some people.  I doubt I’ll ever want to compete.

Then again, eight months ago I hated skating, and now I can’t think about anything else.  Who knows where the joy might lead me.

Men’s roller derby?  I guess anything’s possible.

New Graff

15 Jun

I’ve started to shoot some train graff lately.  I’m not actually going out hunting for it yet, but there are a couple of graff traps on the way to the SportsPlex, where I skate, and since I often have the camera with me anyway …  I did go out to Trainsong, the neighborhood where I used to live and where I got most of my graff, but I was mostly there to check in on my good friends who were very recently robbed at gunpoint.  The train workers chased me off the property within five minutes.  So, while I do have a few new pics to post, I also went back through some of my old pics and decided to put some of those up as well.

I hope you like them.  Here are a couple pics I wanted to point out specifically:

The ubiquity of the internet extends even to railyard vandalism.

Illegal immigration:

This one was creepy due to the content (kids with guns) and the date, because if it is real, this graff is older than I am.

More erudition amongst the vandals.

These trees are a very common graff here in our area, but I’ve never seen them outside the Pacific Northwest.

Well, that’s all for now.  I put some more pics on the graff page, so go check those out if you are interested.  Just go to the “graffiti” tab at the top of this page.

Deep Cuts Part Three: Father Facade

11 Jun

Okay.  Let’s wrap up this depressing history lesson and get on with some truestoopidshit.

I wasn’t really a fully formed asshole until I came back from living with my father for the second time, so this last little bit of history will get us all caught up to that point.  Before then, I was a product of my environment; and afterwards, my environment was a product of me.  I did wrong again and again.  Knowingly.  Willfully.  Joyfully.  Not because of anything that happened in my past, but because I wanted to do wrong.

This post is going to be about losing my last little bit of the innocence, but don’t worry, it’s not that bad.  I really didn’t have a lot of innocence to lose at this point, and to say I “lost” it might be a bit disingenuous.  I’d have sold it for drugs had anyone been willing to pay for it, but instead, I just threw it away.

I started having mental breakdowns around the time we moved from Le Nez and roughly coincident with my decision to start stealing drugs and alcohol from my mother.  I only stole a little at first.  It doesn’t take much to get a twelve-year-old kid high.  When I started having panic attacks, insomnia, and bouts of depression, I never thought to connect these with the chemicals I was ingesting.  Not until just now, writing these words, did I even consider the possibility.

Funny little blind spot, that one, huh?

Anyway, these breakdowns got worse through middle school and high school, and eventually, I learned to incorporate them into my mythology.  I learned to give into the paranoia and enjoy the fear my panic attacks brought.  I learned to chemically amplify the delusions with booze and to enhance my insomnia with meth.  But that was later.  At first, my breakdowns scared the living shit out of me.

My mother took me to a free clinic a few times, and the psychiatric doctor gave me a couple prescriptions that I abused.  I used to go without sleeping for so many days in a row, that I’d actually hallucinate or fall asleep in the middle of sentences.  And this was before I’d ever even tried speed.  I saw other doctors and other therapists, but they all had different theories about what was wrong with me, and no one ever diagnosed me with anything solid.

I met Rudy at around this time, (Rude Dog Blog) and I started doing even harder drugs.  This, of course, led to increased breakdowns, and since I never told anyone that I was stealing my mother’s pot and alcohol, or my grandmother’s pills, no one ever made the connection.  And let’s not forget that I’d been hiding behind a reputation for instability and brutality for quite a while.  Now I had an actual mental condition!  It made for a handy excuse once I started getting suspended for pushing cabinets over onto kids, or stomping on them with my steal toed army boots.  (See Deep Cuts Part Two).

And then I went to middle school.

Within minutes of starting my first day of middle school, I knew I was going to get in a fight.  My instincts told me to establish myself within the pecking order quickly — somewhere near the top would be fine — and thereby avoid future fights.  So I picked a biggish Mexican kid who acted tough, and I called him out.

Yes.  We still did that back in my day.

I said something like, “Meet me after school at the bike racks, pussy.”

He flipped me off and said something in Spanish.  For the rest of the day, I got myself all worked up and prepared to fight.  I told all my friends to come watch.  I told people in my gym class, people I barely knew, to come watch.  I wanted big word-of-mouth buzz, and I got it.  Half the school must have been there, waiting for me and the Mexican.

At the time, I preferred the blitzkrieg fighting style.  I’d wait until my opponent started talking trash, and then, without warning, swing my fists wildly at his face until he started to run.  Once he began his retreat, I’d kick him with my boots, hopefully tripping him and knocking him to the ground where I could kick him some more.

The kid opened his mouth to talk some trash, and I didn’t even let him get a word out before trying to shove my fist down his throat.  Get this out of the way, I was thinking.  Stomp this guy and get some respect.

Only this kid didn’t run when I hit him.  Instead, he tucked his chin, lifted his hands into a boxer’s stance, and punched me back.  A lot.  And hard.

You see, ever since I’d been kicked out of Smithridge for attacking some kids with a hammer, I’d been fighting people who didn’t really want to fight me.  I’d fought guys who’d talked like they wanted to fight, and guys who’d looked like they wanted to fight, and even guys who’d thrown a punch or two, but I’d never fought anyone who’d really just wanted to fight.

And this kid wanted to fight.

He kicked my ass in front of everyone, and the protective coloration of my bad reputation was gone, just like that.  I felt like a turtle pulled from its shell, totally exposed to the environment and unprotected.  Now everyone knew that I was just a small and frightened little kid.

I wish I could say I returned to The Dojo in search of myself, or in search of my heritage, or in search of martial arts even, but that would be untrue.  I went home so I could learn to fight, so I could exact some revenge.

I hadn’t seen my Uncle Herb since moving out of The Dojo, seven years earlier.  I’d been told bad things about how he’d screwed our side of the family, and some members of my family actually considered me a traitor for going back, but I decided to make up my own mind.

Since I’d last set foot in the dojo, Herb had turned it into a martial arts commune and had it legally listed as a church.  No longer did the corner house have a porch or a front door that opened to the street.  High, wicker wrapped fences made the whole place seem like a military compound from feudal Japan, complete with a rock garden, sliding doors, and a little Buddhist shrine.  Classes were free, but most folks paid the suggested $30/month donation.  Herb told me not to worry about paying a donation, but that I should try to do something around the dojo to help out.

My very first class, I discovered that I already knew how to do many of the rolls and falls beginners find so daunting.  I don’t remember ever going to classes when I was a little kid, and I don’t even think they taught kids classes back then, yet I had apparently gone to a few, and my body still remembered some of what it had learned.

So every Tuesday and Thursday I rode the city bus from Trainer Middle School to the dojo.  I did my homework in the communal kitchen, swept the sidewalk out front, and vacuumed the mat and stairs.  I went to a one-hour children’s class, then I’d eat a snack and go to the two-hour adult class.  Afterwards, I’d sometimes eat dinner with Herb, his wife, and maybe a few students.  Then I’d ride the bus back to Sun Valley.  Eventually, I started helping teach children’s classes.

During this time, I excelled in school, didn’t get into fights, and cut my drug use down to almost nothing.  I hit the weights and ran.  I read books on martial arts, philosophy, meditation, military strategy, and magic.  In addition to Jujitsu, I practiced techniques for lucid dreaming, astral projection, and pain tolerance.  Everything seemed magical again.  The dojo has always been like that for me, and remains so even today, despite the defiling it suffered at my hands later.

Once, when I was just hanging around the dojo, I put an acupuncture needle against the back of my forearm, about two inches below my wrist, and slowly worked it back and forth until it stopped hurting.  Out of curiosity, I continued twisting the needle and watched as it painlessly slid further through the meat of my forearm, a full inch and a half, at least.  Eventually, twisting the needle began to hurt again, only this time, it hurt on the underside of my arm.  I looked, and, sure enough, the skin on the bottom of my forearm had begun to tent around the emerging acupuncture needle.  I figured I was pretty committed to the experiment by then, so I backed the needle off just a bit, set my arm down on a paperback book, and returned to drilling.  After a few seconds, I picked up my arm, and the paperback came with it.  I pulled the book off my arm and looked at the acupuncture needle.  The plastic cap of one end stuck out the hairy side of my forearm, while the pointy part stuck out of the soft underside.  When I flexed my hand, the ends of the needle bowed up and down.

“Quit doing that,” my uncles wife said, when she came into the family room and saw what I had done.  “You’re going to break that thing inside your arm.”

“Sorry,” I said.

She squinted at the needle.  “You should go show your uncle.”

So I went upstairs where the actual classes were held, and waited for my uncle to finish teaching black belt class.  When I showed him the needle protruding from both sides of my arm, he seemed very pleased and called some of his students over to see.  I loved making him proud of me and adored the attention.

I enjoyed the celebrity of being “Sensei’s nephew,” and for the most part, I did well in school and life while I attended classes.  So what happened?  Where did I go wrong?  What pulled me away from the dojo?

It was a couple things, actually, but the biggest reasons were definitely jealousy and girls.

First off, I was jealous of Uncle Herb’s children, or to be more precise, I wanted to be one of them.  Sometimes, like when I put the acupuncture needle through my arm, he was very proud of me and told everyone how I was his nephew and how I looked like Bumpa (his father).  Most of the time, however, I was just a kid that hung around the dojo.  Eventually, I came to the conclusion that I would never be as important to him as his own children, and even though that is the way it should be, the disillusionment took a bit of the glow off my training.  I told myself I was better than his kids, because I didn’t even need a father, and in doing so created a new myth: Bastard Leon.

Then there were the girls.  I’d messed around a lot by the time I went to middle school, but mostly it was clandestine midnight groping and secret screwing around.  No one wanted to be my girlfriend, and though I’d gone down on girls and gotten blowjobs and done lots of stuff, no one had ever really let me kiss them.  Then I got a nice girlfriend (See Helicopters Over Leon Street), and suddenly all the other girls started noticing me.

Of course, I dumped my nice girlfriend and started dating fast and dangerous girls.  One of those girls broke my heart a bit, and I decided to go live with my father.  The night before I moved to Oregon, I entertained two girls from school.  We drank stolen whiskey and smoked my mother’s crappy weed.  We messed around and traded blowjobs.  They promised to write me while I was in Oregon, but I never heard from either of them again.  I don’t even remember their names, but I remember one of them had extremely long and soft hair that, when I looked closely, seemed to contain every shade of brown, red, and blonde ever invented.

So I moved back to Oregon, to a father I barely remembered, and spent my 8th grade school year there.  The endeavor was doomed from the start.  Since last time I’d lived with my father, he’d become pretty bitter about my mother and her side of the family.  He took the stance that anything any of them said was a lie, and that I had been raised entirely by deceptive and manipulative white trash, and therefore, I must be a liar as well.  For my part, I’d given up on the idea of a father figure when I realized Uncle Herb wasn’t looking for any more kids.  I’d become attached to the persona of Bastard Leon, and actually living with my father made maintaining that myth difficult.  My father and I clashed early and often.

My father’s assumption that my family was dishonest was not without basis.  On Mom’s side of the family, the code of ethics had two distinct parts: the way we treated family, and the way we treated outsiders.  Family was to be defended at all times regardless of right or wrong.  Outsiders were lied to whenever it was convenient.  So I was stuck living with a man who’d become hostile towards my family, albeit with good reason.  Though I considered him an outsider, he was also my father, so I couldn’t live inside my myth of being a hard-case, bastard, ghetto-child while living with him.

Also, with my long hair, cigarettes, attitude, and aggressiveness, I was the ultimate misfit in the little hillbilly middle school.  By the time I left Oregon, at the end of the school year, I’d made some friends and been marginally accepted, however, the situation with my father had gone about as far as it could go without major violence.  I was nearly man-sized by then, and every night I went to sleep after long and detailed fantasies of killing him.

It was in everyone’s best interest that I not stay.  That first time I went to Oregon, when I was in second grade, things could have worked out, but by the time I went to stay with him in eighth grade, things had gotten too far out of hand.  I was proud to be a bastard, and he was a father who’d been misused.  I went back to Reno hating my father, and though we have a cordial relationship now, it took me a long time to forgive him for trying to be my dad.

The Nevada I returned to was not the same state I’d left, however.  A strange transformation had taken place while I’d been stuck in Podunk Fields, Oregon (a.k.a Brownsville, Oregon).  Nevada had discovered NWA.  When I’d left, everyone I knew had been smoking pot, fucking, and listening to glam rock.  When I returned, less than a year later, everyone was snorting speed, fighting, and listening to gangster rap.

The new world order suited me just fine.  Before Oregon I’d been hedonistic, but I returned with a sadistic streak.  I’d already learned to fight at the dojo, half of my family was dealing drugs, and the bad friends I’d left had done nothing but get worse.  Also, I’d accepted my status as bastard, returning from Oregon with the world’s biggest chip on my shoulder.

Fuck fathers.  Fuck my mother’s murdering husbands and junkie boyfriends.  Fuck Uncle Herb for not loving me as much as his own children.  Fuck my real father for trying to fill the hole he’d left in my life when I was two.  Fuck em all, because the bastard was coming home.

The Missing Links: Brian Shima

10 Jun

In addition to Kevin Yee, I’ve come across Brian Shima, who also has a fairly unique style of rolling.  Unfortunately, I cannot seem to find enough stuff online, so these few videos will have to do.

Enjoy.

 

Video of Brian Shima and Chris Haffey:  http://www.youtube.com/watch?v=drNK4J6FD78

Brain Shima’s “White Rabbit” skate video:  http://www.youtube.com/watch?v=2G1BHnuFwcg

Trick at 3:40 is the best part, but there’s a lot of great skating in the whole video.  http://www.youtube.com/watch?v=z5lO7t_A2UE

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